Written by Caroline Eden
Caroline Eden is the author of several books on Central Asia including Samarkand, Red Sands and her latest, Cold Kitchen. Read the full feature in Issue 7 of The Explorer Magazine.
One of the best things about travelling in Central Asia is peeling back the region’s ancient history which collectively takes in Alexander the Great, powerful khanates, nomadic empires and, of course, the Silk Roads. Join author Caroline Eden as she ventures through Uzbekistan and Kyrgyzstan and uncovers centuries of Silk Road secrets, from art to cuisine.
1. Rishtan: A centre of ceramic art
2. Kokand: A Silk Road crossroad
3. Osh: Silk Road meets Soviet
4. Issyk-Kul: Alpine beauty
5. Bishkek: Kyrgyzstan's capital city
6. More Silk Road inspiration
7. Final thoughts & trips breakdown
Rishtan: A centre of ceramic art
Rishtan is one of the oldest centres of ceramic art in all of Central Asia. Today, its resident ceramicists follow an 800-year-old tradition, dating back to the era of the Silk Roads (stretching from roughly 200BC to AD1400).
It is early autumn, harvest time in Uzbekistan, and I am sat in a café in the small city of Rishtan with master-ceramist Alisher Nazirov. Over a plate of carved melon, Nazirov tells me that there are two main centres of pottery and ceramics production in Uzbekistan: Rishtan, here in the Fergana Valley – a geographical knot shared by three countries, Uzbekistan, Kyrgyzstan and Tajikistan – and Gijduvan, near the old Silk Road city of Bukhara.
In Rishtan the work is usually turquoise, dark blue and brown on a cream background whereas in Gijduvan, ceramics tend to have a characteristic greenish-brown hue.
“Teapots and plates are decorated with pomegranate and flowers, and the legendary Huma bird, emblem of Uzbekistan. Every artist has their own style to draw this fantastical bird,” Nazirov said. There are many masters here but the true masters are few. “There are maybe six out of two-to-three hundred others. The tradition has now become a bit mixed up as so many try to do it.”
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Kokand: A Silk Road crossroad
Kokand was a vital hub on the Silk Road; its strategic location made it a crossroads and key trading centre in the Fergana Valley. It connected merchants, scholars and travellers between China, Central Asia and the Middle East, and served as a strong spot for goods like silk, spices and ceramics.
With a dedicated worldwide following, I wasn’t entirely surprised to find out that Nazirov’s work is on display at the grand Khan’s Palace in the nearby city of Kokand, which is where I was headed next. Leaving by road, the taxi passed beautiful canopies of pink-ish and green grapes, arching and dangling over everyday life that went on below them.
One of the oldest cities in Uzbekistan, and a former trading hub on the Silk Roads, Kokand was once a powerful 19th-century khanate, along with Khiva and Bukhara, and its palace reflects that with its dazzling blue-tiled exterior.
After wandering through a network of rooms – there are 113 in total though not all are accessible – rich with murals, carpets and painted ceilings, and admiring pomegranate trees in the courtyard, I bought some Kokand halva, a fudge-like sweet dotted with nuts and dried fruit. Each one was a morsel of edible art.
“An aroma distracted us, one that a Silk Road traveller from the 14th-century would recognise: the toasty smell of ‘non’ bread – round, golden, chewy and ubiquitous throughout Central Asia – baking somewhere.”